About

CV

EDUCATION

2021     BFA  California College of the Arts, San Francisco, CA 

2019    Glasgow School of Art, Glasgow, Scotland


AWARDS

2018     Creative Achievement Award, California College of the Arts, San Francisco, CA


EXHIBITIONS

Select Group Shows

2026   What We See, What We Keep, EQUINOM gallery, San Francisco, CA

2026   In Populated Air, KARL, San Francisco, CA

2026   Familiar Strangers, Manna Gallery, Oakland, CA

2026   99CENT, co-produced by The Hole and Jeffrey Deitch, Los Angeles, CA

2026   Fresh Perspectives, Lulu Fresh, San Francisco, CA

2025   ELMER, Good Mother Studio, San Francisco, CA

2025    Interiors, Berggruen Gallery, San Francisco, CA

2025    At Dawn, At Dusk, Berkeley Art Center, Berkeley, CA

2025‍ ‍Chain Mail, Pretty Gritty, San Francisco, CA

2025    NEW SUNS: Resist and Rejoice, Southern Exposure, San Francisco, CA

2025‍ ‍Beautiful Distorted, The Box, San Francisco, CA

2024    Fall Highlights, Berggruen Gallery, San Francisco, CA

2024    California Gold, Berggruen Gallery, San Francisco, CA

2024    EBOS Salon, Studio One Art Center, Oakland, CA

2023    Peace Out, Good Mother Gallery, Oakland, CA

2023    EBOS group show, Uptown Station, Oakland, CA

2020   Fine Arts Junior Review , Oliver Art Center, Oakland, CA

PUBLICATIONS

In press   Issue 187, New American Paintings

2024    Issue 12, New Visionary Magazine


Current Exhibitions:

What We See, What We Keep EQUINOM gallery | Opening October 9th 5 - 7pm

In Populated Air KARL | on view through October 30th

Jillian Shea (b. 1999) received her BFA in Painting and Drawing from California College of the Arts in 2021, after studying at the Glasgow School of Art. She has exhibited throughout the Bay Area at galleries and institutions including KARL, Berggruen Gallery, Good Mother Studio, Berkeley Art Center, and Southern Exposure. Shea lives and works in Berkeley, California. After experimenting with photography in her teenage years, she found capturing light the most spectacular thing. Shea began translating her photographs into drawings and then paintings.

Shea’s paintings begin with photographs pulled directly from her camera roll. Treating the smartphone archive as both sketchbook and memory box, Shea transforms ordinary snapshots into intimate paintings that consider how personal memories are recorded, preserved, and revisited. Her recent paintings focus particularly on domestic life and the emotional landscape of home. Cats, interiors, friends, nightlife, and other seemingly ordinary moments become occasions for looking closely at light, atmosphere, and feeling. Working wet-on-wet, Shea maintains soft edges and luminous passages that allow the photographic source to become something more atmospheric and subjective.

For Shea, painting offers a way to slow down time: to return to a moment and consider not only what happened, but what it felt like to be there. Rooted in photography and the snapshot as a form of contemporary documentation, her paintings explore the increasingly intimate relationship between the camera roll and contemporary memory.

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